The Good, the Bad and the Ugly [4KUHD] [Blu-ray]

Product Information

Brand New 4K Restoration Supervised by Cinematographer John Mathieson! The silence has been broken… Dark, absorbing and entertaining, this follow-up t... Three generations of acclaimed actors team up in The Score, an intriguing crime thriller that marks the first and only time that film legends Robert D... a b c The film was shot in three languages simultaneously: English, Italian, and Spanish. Later two partially dubbed versions were released: an English version (where Italian and Spanish dialogue were dubbed into English), and an Italian version (where English and Spanish dialogue were dubbed into Italian). See Eliot (2009), p. 66

The Good, the Bad and the Ugly - CriterionForum.org

Wilson, Samuel (2 August 2014). "On the Big Screen: THE GOOD, THE BAD AND THE UGLY (Il buono, il bruto, il cattivo, 1966)". Mondo 70: A Wild World of Cinema. Archived from the original on 2 April 2015 . Retrieved 5 September 2014. 2 August 2014 Kim Jee-woon (김지운). " The Good, the Bad, the Weird". HanCinema. Archived from the original on 17 September 2014 . Retrieved 8 September 2014.Towlson, Jon. "10 great spaghetti westerns". BFI. Archived from the original on 14 November 2020 . Retrieved 3 March 2020.

The Good, The Bad and The Ugly 4K - Trailers From Hell The Good, The Bad and The Ugly 4K - Trailers From Hell

The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. [55] The unique vocals of Edda Dell'Orso can be heard permeating throughout the composition "The Ecstasy of Gold". The distinct sound of guitarist Bruno Battisti D'Amorio can be heard in the compositions 'The Sundown' and 'Padre Ramirez'. Trumpet players Michele Lacerenza and Francesco Catania can be heard on 'The Trio'. [56] The only song to have a lyric is 'The Story of a Soldier, the words of which were written by Tommie Connor. [57] Morricone's unmistakable original compositions, containing gunfire, whistling (by Alessandro Alessandroni), [58] and yodeling permeate the film. The main theme, resembling the howling of a coyote (which blends in with an actual coyote howl in the first shot after the opening credits), is a two-pitch melody that is a frequent motif, and is used for the three main characters. A different instrument was used for each: flute for Blondie, ocarina for Angel Eyes, and human voices for Tuco. [59] [60] [61] [62] The score complements the film's American Civil War setting, containing the mournful ballad, " The Story of a Soldier", which is sung by prisoners as Tuco is being tortured by Angel Eyes. [11] The film's climax, a three-way Mexican standoff, begins with the melody of " The Ecstasy of Gold" and is followed by "The Trio" (which contains a musical allusion to Morricone's previous work on For a Few Dollars More). Variety Staff (31 December 1965). "The Good, the Bad and the Ugly". Variety. Archived from the original on 16 October 2018 . Retrieved 16 October 2018. Sight & Sound (2002). "How the directors and critics voted". Top Ten Poll 2002. British Film Institute. Archived from the original on 23 April 2008 . Retrieved 14 May 2007.Aquila, Richard (2015). The Sagebrush Trail: Western Movies and Twentieth-Century America (PDF). Tucson, Arizona: University of Arizona Press. ISBN 978-0816531547. JSTOR j.ctt183gxp6.12 . Retrieved 3 March 2020. With a greater sense of operatic violence than their American cousins, the cycle of spaghetti westerns lasted just a few years, but it has been said to have rewritten the genre. [123] Proposed sequel [ edit ] a b c d e f g h i Sir Christopher Frayling, The Good, the Bad and the Ugly audio commentary (Blu-ray version). Retrieved on 26 April 2014. a b The Good, the Bad & the Ugly (Additional Unseen Footage) (DVD). Los Angeles, California: Metro-Goldwyn-Mayer. 1967. The bridge in the film was constructed twice by sappers of the Spanish army and rigged for on-camera explosive demolition. On the first occasion, an Italian camera operator signaled that he was ready to shoot, which was misconstrued by an army captain as the similar-sounding Spanish word meaning "start". Nobody was injured in the resulting explosion. The army rebuilt the bridge while other shots were filmed. As the bridge was not a prop, but a rather heavy and sturdy functional structure, powerful explosives were required to destroy it. [45] Leone said that this scene was, in part, inspired by Buster Keaton's silent film The General. [10]